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From Hyperchoreography to Kinaesthediting (6)

Works Cited

Banes S. 1987, Terpsichore in Sneakers: Postmodern Dance: Wesleyan University Press; 2Rev Ed edition (31 Aug 1987)

Barthes R. 1991, S/Z: An Essay : Hill & Wang (13 Oct 1991)

Bench H .2006, Hyperdance: Dance Onscreen, Dance Online
Or, What Difference Does the Medium Make? from Screendance: the State of the Art Proceedings, American Dance Festival Duke University, Durham, NC July 6-9, 2006 accessed 11th Oct 2007 at http://www.videodance.org.uk/opinions/proceedings.doc

Copeland R. (Editor), Cohen M(Editor) 1983, What Is Dance?: Readings in Theory and Criticism, Oxford University Press Inc, USA (1 Mar 1983)

Fox D. http://greatdance.com/danceblog/archives/mashups/
accessed 10 October 2007

Gough M. http://binarybutoh.blogspot.com/ accessed 10 October 2007

Official Grandmaster Flash website http://www.grandmasterflash.com/ accessed 15 October 2007

Hannemyr G. 1999, Technology and Pleasure: Considering Hacking Constructive. First Monday Journal 1999 Issue 2 volume 4, http://www.firstmonday.org/issues/issue4_2/gisle/ accessed 10 October 2007

Ingold T. 2007, Lines Routledge

Lesschaeve J. 1999, The Dancer and the dance Merce Cunningham in conversation with Jacqueline Lesschaeve Marion Boyars 1999

Lemke J L. 1998 Presentation notes from International Congress of Systemic and Functional Linguistics in Cardiff.
http://academic.brooklyn.cuny.edu/education/jlemke/webs/hypertext/tsld001.htm accessed 10th October 2007

Levy, S. 1984. Hackers: Heroes of the Computer Revolution. New York: Anchor Press/Doubleday.

Nelson T. 1974. Computer Lib / Dream Machines. Chicago: Mindful Press.
(reprinted by Microsoft Press,U.S.; Rev. Ed edition 1 May 1988)

Nelson T. 2007, Transclusion: Fixing Electronic Literature
Google lecture 53 min 33 sec - recorded 29 Jan 2007
http://video.google.com/videoplay?docid=-8329031368429444452 downloaded 15th Oct 2007

Glen Gould - the Alchemist, a film by Monsaingeon B. Directed by Ribadeau F L, Documentary recorded in Toronto Canada in Jan. and Feb. 1974. A co-production between Pierre-Olivier Bardet, Idéale Audience International, and Stephen Wright, IMG Artists.
http://video.google.com/videoplay?docid=2662189955665653124
accessed 15th October 2007

http://www.youtube.com/warp_speed accessed 23rd May 2008


further reading:

Johnstone N, G-vision research. http://imaging.dundee.ac.uk/research/profiles/research-profiles/view/nigel-johnson/current-research/g-vision-07/


Whyte C. 2003. A node within a network: an examination of online dance work_with particular reference to Motion Studies (2003)
MA Choreography Dissertation, Middlesex University, London
http://www.shiftwork.org.uk/motionstudies/contents.htm

MilesBoard ,T. (et al) Decentering the Dancing Text: From Dance Intertext to Hypertext . HT'03, August 26-30, 2003, Nottingham, United Kingdom.
http://www.ht03.org/papers/pdfs/16.pdf








Biography

Simon Fildes is Researcher and Lecturer in Media Arts and Dance at Duncan of Jordanstone College of Art and Design, University of Dundee. He is a new media artist, producer and video editor. Simon has edited programmes for broadcast, ranging from arts documentaries to pop promos and co-runs the Highland-based production company Goat with partner and collaborator Katrina McPherson, creating single screen and web-based screen dance works including the award winning Moment and Move-me.com

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